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STEPHAN BALKENHOL: Sculptures and Reliefs
Affe / Monkey
2014
Wawa wood, coloured
160 x 31 x 31 cm
Photo: Peter Hinschläger
Babyking
2015
Wawa wood, coloured
Height of figure 53 cm
Courtesy Galerie Forsblom, Helsinki (Finland)
Photo: Stephan Balkenhol
Icon
2014
Ayous wood, coloured and gold leaf
140 × 100 cm
Photo: Jussi Tiainen
Kugelmenschen (Frau und Mann) - Spherical human beings (woman and man)
2012
Poplar wood, coloured
2 parts
Woman 160 x 140 x 60 cm
Man 170 x 155 x 68 cm
Photo: Henrik Hornung
Männerrelief mit weißem Hemd und schwarzer Hose - Relief man with white shirt and black trousers
2015
Wawa wood, coloured, inkjet print
157 x 156 x 2,5 cm
Courtesy Mai 36 Galerie, Zurich (Switzerland)
Photo: Jens Ziehe
Mann mit weißem Hemd und schwarzer Hose / Man with white shirt and black trousers
2015
Douglas wood, coloured
164 x 66 x 31 cm
Courtesy Galleria Monica De Cardenas, Zuoz (Switzerland)
Photo: Andrea Rossetti
Date: September 8—November 13, 2016
Venue: MMOMA, 10 Gogolevsky Boulevard, Moscow

Curator: Matthias Winzen

Moscow Museum of Modern Art is pleased to present a solo exhibition of the world famous sculptor Stephan Balkenhol (b. 1957)—the first major Russian show to span the artist’s entire career.

For over three decades Stephan Balkenhol has been among the most acclaimed contemporary sculptors in the world. His works are in public and private collections in Frankfurt, Bremen, Karlsruhe, Hamburg, Copenhagen, London, Paris, Johannesburg, Hague, New York and Chicago among other cities. Sculptures and Reliefs features the artist’s sketches, as well as many of his complete works.

Continuing the European tradition of the wooden sculpture that dates back to the Middle Ages, Stephan Balkenhol carves his sculptures from a wide range of woods including wawa, cedar and fir, without any assistance. His human figures are never polished to waxy smoothness and artifice: like humans they would not be themselves without imperfections. The rough surfaces and cuts create a sense of a life force hidden inside the figures of seemingly apathetic humans—an evidence of the artist’s love of and faith in humanity.

Balkenhol is not a storyteller; he objectively portrays most ordinary people and animals. In whatever circumstances they find themselves, his simple figures in ordinary clothes do not show any emotions. Balkenhol’s characters are strangers who are vaguely similar to each one of us, and at the same time, very much distanced from the viewer. The artist deliberately avoids complicated descriptions and clever connotations in the titles of his works: instead, they reaffirm the absolute ‘normality’ of his characters deprived of social class or personal characteristics. Any interpretations of his works are crushed by the silent presence of his roughly carved figures. The question they seem to pose is whether we can still see a human behind the alienation and spectacle of contemporary life? In which intermediate dimension will a person who has for a moment stopped acting find her/himself?

The artist and the curator of the exhibition Matthias Winzen have adapted this major exhibition to the local context and the exhibition space.
Sculptures and Reliefs continues a series of exhibitions exploring German contemporary art. Moscow Museum of Modern Art has previously hosted the exhibition The Paths of German Art from 1949 till the Present Day (2014), and a retrospective exhibition of Joseph Beuys Appeal for an Alternative (2012).

A catalogue of the exhibition in Russian and in English will feature essays by Georgy Nikich and Matthias Winzen, as well as an interview with the artist.


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